Post Production – Workshop – Recording Connection https://recordingconnection.com Wed, 24 Feb 2021 22:26:09 +0000 en-US hourly 1 https://wordpress.org/?v=6.3.2 https://recordingconnection.com/wp-content/uploads/cropped-favicon-32x32.png Post Production – Workshop – Recording Connection https://recordingconnection.com 32 32 Recording Connection mentor Aaron R. Reppert on Dolby Atmos, Finding Your Passion in Audio & more! https://recordingconnection.com/blog/2021/02/24/aaron-reppert-audio-post-production/ Wed, 24 Feb 2021 22:26:09 +0000 https://www.recordingconnection.com/blog/?p=8049 Read More

]]>
[break side=”left”] Recording Connection mentor Aaron R. Reppert (Disney, MTV, Google) is the founder and creative director of TravSonic Studios, a multifaceted audio production company which does everything from recording artists for musical releases to sound design and all facets of audio-post, from mixing to ADR, Foley to voice-over, audio editing, and more. TravSonic is currently expanding...

Source

]]>
Roman Molino Dunn on Creating Soundtracks, Being an In-Demand Producer & Music Mentorship https://recordingconnection.com/blog/2021/02/09/doing-soundtracks-being-working-music-producer/ Tue, 09 Feb 2021 18:52:18 +0000 https://www.recordingconnection.com/blog/?p=8038 Read More

]]>
[break] Recording Connection mentor Roman Molino Dunn a.k.a Electropoint, co-owner of Mirrortone recording studios (NYC, NY), is both a Billboard-charting music producer and award-winning composer who’s composed original music for some of the biggest brands and networks including Michael Kors, PayPal, Maserati, NBC, HBO, E!, A&E, MTV, Oxygen, BET, Bravo, Netflix, Discovery.

Source

]]>
How Do I Make a Living in Music? https://recordingconnection.com/blog/2019/08/12/how-do-i-make-a-living-in-music/ Mon, 12 Aug 2019 22:53:16 +0000 https://www.recordingconnection.com/blog/?p=6818 Read More

]]>
When you are passionate about something and figure out a way to make a living from it, life can be a beautiful thing. Years ago, up and comers dreamed of being the next big band. If they were good enough, they could find gigs to perform in local bars and nightclubs for pocket change and free beer, in the hopes that would take them somewhere. The trouble with this approach was that unless you were...

Source

]]>